From: All Things Are Set Ablaze

$50.00

From: All Things Are Set Ablaze is an excerpt of a more extended work. The text is by Hildegard von Bingen, compiled and annotated by Joel Phillip Friedman, and based upon translations by Nathaniel Campbell and Barbara Newman. It is scored for vocal trio (soprano, soprano, & mezzoโ€“soprano & hand percussion).

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Description

We pick up the piece at its mid-point:
I imagine a modern Hildegard von Bingen, rising up and returning to tell us โ€œyou have lost your way and face destruction, listen to me nowโ€ฆ or face the consequences.โ€ She warns, in her own words: โ€œAll Things Are Set Ablazeโ€ฆ From Me!โ€ My invented Hildegard is a mixture of the real and prescient woman of many enormous talents and startling visions, Wagnerโ€™s Valkyrie warrior Brรผnnhilde, the future prophesying Oracle of Delphi, and perhaps even a badass Wonder Woman. Most of the words I set are Hildegardโ€™s own, in English translations by Medieval Latin scholars Nathaniel Campbell and Barbara Newman. If Hildegardโ€™s writings initially hadโ€ฆa slightly different contextโ€ฆ they do speak with potent currency today. I have added some non-Hildegard text: short cautionary Latin fragments (e.g. โ€œMonitumโ€ฆ Praedictumโ€ฆ Igniferโ€ฆ Audi meโ€ โ€“ โ€œA warningโ€ฆ Foretellingโ€ฆFire-bearingโ€ฆ Listen to me!โ€), as well as, fittingly, a single line from Wagnerโ€™s opera Die Walkรผre โ€“ the famous Valkyrie war cry (โ€œHojotoho! hojotoho! heiaha! Heiaha!โ€). If Hildegard were to return today I imagine she would identify with Brรผnnhilde and join her singing those spirited words! You will hear All Things Are Set Ablaze starting at its middle, slower section. As the pieceโ€™s opening music returns at the end, you will hear a portion of it. The work has been trimmed to be proportional with the rest of the program. For more info about this work click HERE.

Materials (score & parts) are available as downloadable PDFs files.

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